These days it is a rare miracle to get the time, temperament and the right kind of book to read for hours at a stretch and finish it in one go. As you get to explore more and more authors and genres, you realize, with some sadness, that it is getting increasingly difficult to satisfy the growing soul that is you. So you flit from one book to another, trying to find that magic that once was there in every story that you read. You long for that time when each author was fairy god mother or father as the case maybe, with a bottom less hat from which tale after enchanted tale was pulled out.
Then, out of the blue, like a long lost rainbow, you meet authors like Tan Twan Eng, who ensnare you with the lyrical quality of their writing, sears you to the core with the stories they have to tell and leaves you with an ache that saddens you and a pain that turns into the joy of something essentially good. My first meeting with him was more than an year ago and quite accidental. The cover caught my eye and the blurb gave a go ahead to the heart (yes, some books have to be read with your heart and soul). It took me a while to come out of ‘The Garden of Evening Mists’, in fact, each time I read a mention of it, a cool and gentle breeze descends on my soul.
‘The Gift of Rain’ is Tan’s debut novel and it has been calling out to me for quite some time. The fear of being disappointed was pulling me back, till a few Saturdays ago I decided to get drenched. The opening lines were more than enough to hook me
“I was born with the gift of rain, an ancient soothsayer in an even more ancient temple once told me.”
The Penang Historical Society was planning to celebrate the fiftieth anniversary of the Second World War as Philip Hutton receives a visitor who would take him back to his youth and force him to open some wounds that he had kept hidden, somewhere deep inside, never opening it out to anyone, leaving it to fester and killing him slowly and painfully.
Born of a British father and a Chinese mother, young Philip feels he belongs neither here nor there. He feels alien to his elder, all British siblings – two brothers and a sister. His mother had passed away when he was young, and the only contact he has with the mother’s side of family is an aunt. At sixteen, he finds himself alone in their large bungalow by the sea, his father and siblings in England on their annual sojourn. And to his life appears Endo san, a Japanese aikijutsu master. As the cliche goes, Philip’s life will never be the same again.
There is an unspoken closeness between the master and his student right from the beginning, as if they have known each other for more than a lifetime. As the bond grows stronger each day, it is also evident to the reader that there is more to Endo san than what meets the eye. It is not that Philip is not aware of this as well, but he chooses to ignore the obvious as many a young one is wont to. As Japan prepares for war overtly in other places and covertly in Malaya, the natives and British continue to go about their lives as though they are invincible. Philip is innocently pulled into the quagmire and inadvertently paves the way for setting the base for a Japanese invasion.
At the same time, there is a transformation that is happening silently within Philip. He comes to terms with his parentage, his families on both sides, and finally he is at peace with who he is. The tragedy begins at this point, unfortunately. Soon as he finds his space, the very root of his love and convictions are tested, to a limit that seems almost beyond endurance.
If Part One of the story is about Philip’s coming of age and of being a family, the real soul of the story is in Part Two. The war is in earnest, Philip is seen as an enemy by many and as a closest ally by others. The fact that he is working for the Japanese is enough for many to condemn him. Even the ones that he helps, seem to question his motives. With almost all whom he loved turning against him, his biggest pain is the knowledge of betrayal by his trusted master and love, Endo san.
The eternal tug of war between duty and love, fate and choice, family and friends is brought out beautifully in the second part. It takes more than a strong will to stand firm when everything that you believed in and everyone whom you loved turns against you. And then comes the feeling that would shatter even the strongest ones,
“And I realized then that there was an emotion worse even than the sharpest fear; it was the dull feeling of hopelessness, the inability to do anything.”
It takes Philip almost half a century to come to terms with the war and his part in it. There is a multitude of nuances that run beneath the story and which holds it together, threads that are as fine as silk and unbreakable at the same time. The relationship between the master and student, the soft undercurrents of sexuality, the unequivocal love between an English man and a Chinese woman, the common love for someone who is no more that brings together conflicting cultures and transcends pride and finally, the acceptance,
“Accept that there are things in this world we can never explain and life will be understandable. That is the irony of life. It is also the beauty of it.”
In short, a tale so well told that after ages, all I did on a Saturday was just read. Everything else was incidental.
Verdict – I was ready to judge it a little above a customary okay, till Part Two happened. Read it of you love stories that question your ideals, makes you think about coincidences, choices, duty, love and a little bit about what is this life all about.
(Bindu Manoj dabbles in numbers for a living, dreaming of words all the while. A mother of two, wife to one, sister to four and friend to many, she hoards books by the score. An arm chair traveler who does some real life off roading now and then, she prefers the moves and shakes of jeeps and trucks to the cushy comfort of normal vehicles. Her wandering soul muses at http://ruminateatleisure.wordpress.com/ and she ruminates her reads at http://wanderlustathome.wordpress.com/)